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	<title>Sam Rayner</title>
	<link>https://www.sam-rayner.com</link>
	<description>Sam Rayner</description>
	<pubDate>Wed, 17 Jan 2024 11:39:36 +0000</pubDate>
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		<title>Credits</title>
				
		<link>http://sam-rayner.com/Credits</link>

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		<pubDate>Wed, 17 Jan 2024 11:39:36 +0000</pubDate>

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		<description>Credits

This page is being updated. In the interim, a full list of credits can be found here.</description>
		
		<excerpt>Credits  This page is being updated. In the interim, a full list of credits can be found here.</excerpt>

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		<title>Photo Credits</title>
				
		<link>http://sam-rayner.com/Photo-Credits</link>

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		<pubDate>Sat, 29 Sep 2018 18:10:05 +0000</pubDate>

		<dc:creator>Sam Rayner</dc:creator>
		
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Photo Credits
&#60;img width="900" height="900" width_o="900" height_o="900" src_o="https://cortex.persona.co/t/original/i/0343ba8bdd6b76f02f2b11a1c4c896723d1e75b5570de60cd2b23beff4ff17b7/At-Large-1.jpg" data-mid="767044" border="0" data-scale="48"/&#62;&#60;img width="2407" height="2407" width_o="2407" height_o="2407" src_o="https://cortex.persona.co/t/original/i/76b753f77585c64e31958429a6ff37fbf8694a0cf269a8a3c7c300dfc1485924/At-Large-Fireworks-B-W.jpg" data-mid="767047" border="0" data-scale="48"/&#62;
Jack Whitehall: At Large (Chambers Touring and Tiger Aspect for Netflix) -
Photographer: Richard Wood

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Beaten Gold (New Renaissance Collective at the Church of Saint Bartholomew-the-Great) -
Designer: Laura Albeck and Jasmine Dhingra
 Photographer: Richard Braham




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Voloz R&#38;amp;D (Voloz Collective) -
Photographer: Olivia Zerphy
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Venus &#38;amp; Adonis (New Renaissance Collective) -Designer: Nik Corrall
Photographer: Lidia Crisafulli


 </description>
		
		<excerpt>Photo Credits  Jack Whitehall: At Large (Chambers Touring and Tiger Aspect for Netflix) - Photographer: Richard Wood     Beaten Gold (New Renaissance...</excerpt>

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		<title>About</title>
				
		<link>http://sam-rayner.com/About</link>

		<comments></comments>

		<pubDate>Sat, 29 Sep 2018 18:06:51 +0000</pubDate>

		<dc:creator>Sam Rayner</dc:creator>
		
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About









 
 


‘Who needed sets, when Rayner effectively had six pieces of human scenery to play with? [...] It was fantastically detailed stuff, intrinsic to the storytelling.’- Erica Jeal, The Guardian, SERSE (Director)
--------------------












Hello - I’m Sam.


I’m a director and movement director - working in theatre, opera and stand-up comedy. I’m Resident Director of Back to the Future (West End) and Joint Artistic Director of award-winning, international physical theatre company Voloz Collective.


My productions are playful and highly physical - from acrobatic reinventions of classics to genre-bending new writing. My work has been selected as a Critic’s Pick in&#38;nbsp;The New York Times and Playbill, and featured in The Guardian’s “Readers’ Favourite Stage Shows of 2022”.&#38;nbsp;As a movement director, I build distinct physical languages - from tightly choreographed slapstick to psychologically-driven magic-realist sequences. I’ve collaborated with comedians and writers including Jack Whitehall, Leo Reich, Liam Williams and Richard Gadd, shaping physical sequences across Netflix, Tiger Aspect, HBO and A24. My movement sequences have been described as “intensely funny” (The Guardian) and “a fearless display of physicality that shape shifts from ludicrous tomfoolery to raw menace” (The List).I speak French and Spanish with professional working fluency and have a basic understanding of Arabic (MSA).

Full CV available on request. Get in touch here.




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&#38;nbsp;
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		<excerpt>About                ‘Who needed sets, when Rayner effectively had six pieces of human scenery to play with? [...] It was fantastically detailed stuff,...</excerpt>

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		<title>Home Page</title>
				
		<link>http://sam-rayner.com/Home-Page</link>

		<comments></comments>

		<pubDate>Mon, 17 Aug 2015 23:34:03 +0000</pubDate>

		<dc:creator>Sam Rayner</dc:creator>
		
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S A M&#38;nbsp; &#38;nbsp;R A Y N E R&#38;nbsp;Director, Movement Director‘a fearless display of physicality that shape-shifts from ludicrous tomfoolery to raw menace’Brian Donaldson, The List, BLEED (Movement Director)‘this show’s razzle-dazzle song-and-dance opener is intensely funny [and] utterly sublime’Brian Logan, The Guardian, SHEEPS: Live &#38;amp; Loud (Movement Director)
‘physical theatre at its most immaculate’
David Hepburn, The Scotsman, THE MAN WHO THOUGHT HE KNEW TOO MUCH (Co-Director)


‘a wonderfully entertaining spectacle’
Michael Higgs, Broadway World, SERSE (Director)


 About



&#38;nbsp;Contact

 
</description>
		
		<excerpt>S A M&#38;nbsp; &#38;nbsp;R A Y N E R&#38;nbsp;Director, Movement Director‘a fearless display of physicality that shape-shifts from ludicrous...</excerpt>

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